![]() ![]() Current building 1972 at 99 Osmond Tce, Norwood. This article includes churches notable either as congregations or as buildings or as both.ģ4★5′33″S 138☃7′56″E / 34.9259°S 138.6321☎ / -34.9259 138.6321įounded in Adelaide 1855 as the Unitarian Christian Church original church building in Wakefield Street 1857, sold 1971, demolished 1973. There are numerous Unitarian churches that are listed buildings in England, that are listed on the National Register of Historic Places in the United States, or that are noted on other historic registers. Numerous Unitarian churches are notable for having historic buildings, and there are former church buildings that are historic as well. Various congregations (churches, societies, fellowships, etc.) and/or individual churches as buildings, of these related religious groups have historic or other significance. This is a list of Unitarian, Universalist, and Unitarian Universalist churches. Discuss other musical innovators throughout history and their importance to contemporary experimental composition.Ĭonsider the position of Athanasius Kircher in the history of the world’s great thinkers.This list is incomplete you can help by adding missing items. ![]() Most famous are his designs for Free Music Machines, intended to generate unbroken, flowing melodies that were ‘free to roam through tonal space as a painter is free to draw & paint free lines’. Consider this early theory in light of today’s scientific knowledge about the links between music and the brain.Īustralian pianist and composer Percy Grainger (1882–1961) was, like Athanasius Kircher, an innovator and experimenter, particularly in the field of music machines. Discuss Kircher’s contribution to the rise of the modern museum, and consider features of Musurgia universalis that may reflect his other collecting and experimental practices.ĭiscuss the historical basis for current music psychology practices, examining the ‘doctrine of the affections’, first published in Musurgia universalis. His Kircherian museum at the Collegio Romano in Rome now forms the core of the National Roman Museum. Kircher was responsible for one of the earliest museums of art and science. Consider in particular the ‘doctrine of the affections’, first published in this volume, and its contribution to the music of Bach, Handel and later composers.ĭiscuss advances made in music during the Italian Renaissance, in particular the developments in polyphony outlined in Musurgia universalis. ![]() Position Musurgia universalis in the burgeoning music scene of the 17th and 18th centuries. Consider Kircher’s place in the history of thought on music and the cosmos, with such ideas stretching back to Pythagoras and Plato. 366 – reproduced above) of Musurgia universalis, titled Harmonia nascentis mundi (Harmony of the birth of the world), showing music dominating and creating the world: ‘The first voice of the organ has been used by the Lord on the first day of Creation in order to generate light’ (and so on through the seven days of creation). For more teaching ideas, contact a collection manager. The University of Melbourne’s curriculum is rich and varied, and changes from year to year. Also present in this volume are an early megaphone or ‘speaking trumpet’ and the Arca musarithmica, a device that could create random compositions. The first page illustrated above shows the design for automated chime bells, called Automaton campanarium fabricari. Musurgia universalis has been cited by many authors over the subsequent centuries, both in its role as a complete encyclopaedia of music and as a book of musical experiments. It is also considered the first published text to discuss the ‘doctrine of affections’, a Baroque theory of musical aesthetics according to which music can imitate and invoke specific emotional responses in the listener. Among his approximately 40 publications, the text Musurgia universalis (1650) is one of his most cited and most famous – a compendium of historical and contemporary knowledge on music theory, alongside experimentation and speculative designs for complex instruments. As a polymath with an extraordinary breadth of knowledge and research, Kircher has been studied in the context of museum history, Egyptology, mathematics, botany and, on this occasion, the history of music theory. The Baroque-era Jesuit scholar Athanasius Kircher (1602–1680) was a significant contributor to early modern culture in a number of fields. ![]() Rare Music Collection, University of Melbourne Library ![]()
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